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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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William P. Dowling

William Paul Dowling (1824–1877) is thought to have studied art in his native Dublin before settling in London, where he worked as a draughtsman while trying to establish himself as a portraitist.

1 portrait in the collection

Richard Pratt

Richard Pratt

Richard Pratt

Richard Pratt, 2003 (printed 2011)

Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2011

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Disability in Australia

Disability Inclusion Action Plan 2023–25

The Gallery subscribes to the social model of disability that distinctively signals the difference between a person’s individual condition or impairment, and the barriers they experience which are created by the environment and society around them.

Thomas Woolner

Thomas Woolner

Thomas Woolner, sculptor, studied first with the brothers Henry and William Behnes, painter and sculptor respectively, and later at the Royal Academy, at which he was to become professor of sculpture in his fifties.

5 portraits in the collection

Gotta catch 'em all

About Face article

Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.

George Barrington, c.1785

Celebrity cutpurse

Magazine article by Dr Grace Blakeley-Carroll, 2010

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

Catherine Livingstone

Catherine Livingstone, 2018

General content

Commissioned with funds provided by Tim Fairfax AC 2018

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Self portrait with glove

To Look Within

Self Portraits in Australia

Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Portrait of Tam Purves

Bonfire of the vanities

Magazine article by Stuart Purves, 2016

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Nothing's as precious as a hole in the ground

Seduce and Destroy

Magazine article by Magda Keaney, 2001

Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.

Bob Hawke

Primed

Some Prime Ministers

Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Les Murray

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

Lyndall Hobbs and Marilyn at the Come as your favourite blonde party, Blitz Club, London, 1979 Robert Rosen

Shiny, happy people

Magazine article by Glynis Jones, 2022

Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency